Choose your name and location and click Save. The higher the sample rate you select in the New Session dialog box, the more work your computer processor has to do. You often have to balance your desire for the highest-resolution music possible against the capabilities of your system. For example, if your session is going to have a ton of tracks and end up on a CD or be used for online distribution, your best bet is to choose Keep in mind, too, that using a whole slew of tracks means that your computer needs as much processing power as possible to handle mixing and processing tasks.
In this case, recording at 96 kHz would likely put too much strain on your computer and deprive you of the power to do what you want during mixing. Get to know your system before you record a lot of music with it. Experiment with different sample rates and track counts to see what your computer can handle. With this information, you can get a good sense of how hard you can push your system before you reach the limits of its performance. Choose this option to choose from recent sessions.
Choose this option to choose from collaboration project sessions.
Pro Tools Opitimization Tip: The Disk Cache Feature : goognacasappratt.tk
The Open Session dialog box appears. Choose the file you want to open and then click Open. As well, you can always return to a previously saved version of your session with the Revert to Saved command. This is the same Save command that you find in any computer program. You should get used to saving from the keyboard often to prevent losing any data while you work. You can also turn on the Auto Save function and have Pro tools save your session automatically.
You see the Save Session As dialog box. If you want to transfer your files from one program to another Pro Tools to Logic, for example , using the Save Session Copy In command can be useful. Keep in mind that you may lose some data if you save this session in an earlier version.
SOUND ON SOUND
If you choose Session Pro Tools 5. You can increase the DAE Buffer Size above Level 2, which will allow Pro Tools to carry on working with Sessions containing higher edit densities or more tracks, or which are stored on slower, more fragmented drives. Pro Tools may prompt you to restart the computer so it can allocate more memory to Pro Tools, but even if there is enough memory — and there usually is enough to go up to Level 4 — you should still close and then re-open for the new buffer setting to take effect.
This error requires a restart, and is more likely with larger DAE buffer sizes. If the disks are too slow and you are suffering — errors, go to Level 4. Many laptops still use rpm drives, which usually have seek times above 10ms and are not recommended with Pro Tools.
All Firewire drives should have a rotation speed of rpm and must have one of the Oxford Bridge chip sets. For more details, see the Compatibility section of the Digidesign web site. Here, the edited audio on the upper track has been copied to a new track and consolidated, before the original track is deactivated to save resources.
Audio tracks with lots of edits, as are often created by using Beat Detective, can also cause — errors. If this is a problem, try bouncing to disk or using Consolidate Selection to create a single file and Region from the track. Make a copy of the track first and disable it if you want to keep the edits to go back to.
There are a number of things you can do, some of which we have alluded to already:.
Inactive plug—ins are greyed out, with their names shown in italics. Names of inactivated plug—ins are displayed in italics. There are two ways to make a track inactive. Doing this makes sure that all inputs, outputs, sends, inserts and all plug—ins are deactivated and all DSP resources for that track are freed up. An inactive track is greyed out.
Pro Tools Mojave Compatibility
All tracks use processing power whether they have content on them or not. You may want to Save a Copy of the Session before you start deleting tracks, so you can go back to them if you change your mind later. To save another chunk of processor resources, you can turn off the sends view metering that normally displays when you show an individual send view, by unticking the option in the Meters section of the Preferences Display tab. Thinning automation data can lighten the load on your CPU without having noticeable consequences for your mix.
You can help your Pro Tools system by thinning down your automation, especially where you have recorded fader moves from a hardware controller. Pro Tools stores all those moves in great detail, and this can often be simplified without changing the sound of the final mix.
You can set the amount Pro Tools thins the automation data in the Mix tab of the Preferences window. The more you thin, the simpler but less accurate the automation will be; one option is to leave this automatic setting to thin only a little, and manually thin the data for particularly dense sections. This is done by highlighting a section of automation and choosing the appropriate option from the Edit menu; LE and M—Powered systems have a Thin Automation option, while TDM systems have an entire submenu.
As discussed earlier, you can reduce the load on your hard drive by consolidating heavily edited sections into one Region.
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I always either duplicate the track or Playlist so I can get back to the edited version should I need to, then consolidate using the Consolidate Selection option from the Edit menu. This will produce one continuous Region for the highlighted selection. This also consolidates the selection you apply it to if you choose Continuous Region in the Audiosuite plug—in menu options. If a software synth or sampler track is putting too much demand on your system, bounce the output of that instrument track onto an audio track and then turn off the instrument track.
Also, make sure you buy your memory from a reputable source, as there are a lot of dodgy RAM modules out there.